Felabration! The Third Edition of the BN Book Review Delves deep into the Life of an African Icon

In April, the residents of Lagos were treated to the spectacular Broadway show, Fela! Our senses were revived as we together remembered and celebrated the man who bore the heart of Nigeria’s problems on his chest. Fela Anikulapo Kuti, is without doubt one of Africa’s most celebrated and controversial products. In order to delve deeper and gain a realistic perspective of the Afro Beat legend and musical impresario, Fela, Bellanaija.com features editor Glory Edozien presents her candid thoughts on the unabridged and authorized biography; “Fela: This Bitch of a Life” by Carlos Moore.

About the Book

Fela disturbs, shocks, inspires. His volcanic performances, trance-like music and defiant lifestyle have found him a huge worldwide following. But it also brought him appalling physical punishment, brutal confrontation with the military and police, official ostracism and media attack. Still, he swept to international fame on a wave of controversy, scandal and flamboyant in-your-face politics. But what was he really like, this man who could as easily arouse violent hostility from Africa’s ruling elites as unswerving loyalty from the underdogs of society?

Told largely in his own outspoken words, illustrated with over 50 photographs, This Bitch of a Life is the amazing story of Fela’s tumultuous existence – and, for the first time in print, his wives also speak out. This unique biography is a surprising, moving, breathtaking journey into the soul of a brave pan-africanist who confronted multiple forces of oppression with the force of an imperishable music.

Glory’s Review

In this book, Carols Moore opens us to the world of Fela, his upbringing, explosive personality, rebirth as an African musician and his deep regard for his African heritage. By all accounts Fela was not a man to be toyed with. His life which was besotted with challenges of varying depths from financial to seeking his identity as an African artist and the continuous harassment from the then ruling government was enough to make a mere man loose his marbles. Instead Fela’s defiant attitude and resilience showed why he won the heart of the masses and became a formidable personality in our county’s history.

The book, which is in most cases written in Fela’s own words, starts of with Fela’s life as a child, his relationship with his parents, his journey of self discovery in America, his continuous battles with the government and relationship with his wives. It is a riveting read, one that makes you understand the motivation behind the man.

Prior to reading the book, I knew little about Fela apart from what I had heard people say. Some rubbished his way of life, others hailed his music as a synonym for the plight of the average Nigerian. After reading the book, it became clear to me that Fela was different things to different people. To the average Nigerian he was a voice calling out in the wilderness, a voice which spoke the truth when everyone else turned away. To the government he was a torn in the flesh, a boil which would not go away, a broken cord that refused to be fixed. To those who loved his music he was an artist, a carrier of the African drum which beat earnestly with African rhythm and pride. To his wives, he was a man they loved. Someone they looked up to and shared an intangible experience with. To his mother, he was the son who resembled her in spirit, who had watched her all those years as she stood and fought for what she believed in, and would later grow up to mirror these attributes which he had unknowingly imbibed. To his friends, he was a rebel, an edgy musician who pursed his music with passion and sense of purpose. To me, Fela is possibly an unsung hero, Nigeria’s version of Rosa Parks, who refused to ‘stand’ for the inequality that is still prevalent in present day Nigeria.

What Glory Loved

I loved that the book was written largely in Fela’s own words. Usually most biographies are an interpretation of the author’s views, but in this case, we hear/read Fela speaking for himself. It makes the words jump right of the page and smack you in the face.

The book is also quite humorous in parts. In the first few pages of the book, Fela describes how his parents would beat him for the slightest indiscretion

My mother was a motherf$$%%& she would beat you like a man. You know how? She’d say: “touch your toes. Bend down” and it was batabatabatabatabata….!” Pg 48

At home my parents didn’t allow me to smoke. I wanted to smoke. I wanted to drink. They didn’t allow me to drink alcohol. I wanted to go with women. But they used to make me fear women and all those things…..I never used to smoke, drink or run round with girls. I was always wearing a suit and a tie and was very proper.” Pg 58

The Book also includes interviews with people who were Fela’s closest and dearest friends and a few of his wives. I found these interviews ingenious, as they added another layer of depth in understanding exactly who Fela was. One of such interviews was with JK, Fela’s close friend and onetime roommate. Here is a short excerpt from the interview

 “Q: He didn’t smoke?

JK: Not even cigarettes. Let alone grass, even for f%$$ing. He was afraid to f&*k. ….for example, I’d say Fela do this woman. This girl will leave you if you don’t do her. Fela would answer oooohhhhh she go get pregnant-oh” Pg 66

The book also gives vivid descriptions and accounts of Fela’s tiresome and most times violent run-ins with soldiers

The soldiers where everywhere, all in the yard, inside the house, in all the rooms and on the ground floor. They beat up some of the girls, raped some of them and did horrors to them, man….They beat up my brother Beko, who was trying to protect my mother. They fractured his leg, his arm. They beat him so bad he had to be taken to hospital…they grabbed my mother, and you know what they did to this seventy seven year old woman? They threw her out of the window of the first floor. And me? oh man, I could hear my own bones being broken by the blows! Then the whole Kalakuta republic (Fela’s home) went up in flames. The soldiers set fire to the house”. Pg 151

What I could have done without

I thoroughly enjoyed reading this book. So much so, that I think parts of it should become essential reading material for social studies/history students in secondary schools, (with the sexual bits taken out, off course). However, I felt there were some bits of the book that somewhat sensationalized Fela’s radical lifestyle. The introduction to the book, given by Dr Carlos Moore, is a bit too subservient for my taste and in my view doesn’t engage with the negative side effects of some of Fela’s excesses. We all know that Fela’s life is worth celebrating but we do injustice if we do not speak candidly of the ‘other’ publicized aspects of his life, the repercussions of which may have contributed to his untimely demise.

Now, that we’ve finished our own review of Fela’s authorized biography, what do you think? Did you read the book? Do you agree with our review or have completely different thoughts? Did find our review helpful? What are your own thoughts on the icon- Fela?

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Issue 4 of the BN Book Review

In the previous editions of the BN Book Review we have explored various themes from Polygamy, to morality and more recently we have delved in deep into the lives of one of Nigeria’s celebrated musicians. For our next issue, we are coming even closer to home.

We will be reviewing E.C Osondu’s recent book, “Voice of America”. In, “Voice of America”, Osondu, uses a collection of 18 short stories, to explore the condition of the Nigerian people. The book which includes a story that won the Caine prize for African writing and another which was short listed for the same award contains imaginative and engaging stories which depict everyday issues faced by Nigerians. Myne Whitman, a member of the BN Book review Panel, will as always be providing a candid and thoughtful review for us all to read. We encourage everyone to read the book before the next review so we can all share our thoughts.

 

As usual BellaNaija.com, in conjunction with the publishers of this book, Farafina, will be giving away two copies of “Voice of America” by EC Osondu to two lucky readers. To stand a chance of winning a copy, answer the following questions;

  1. 1. In what year did Farafina publish its first book?
  2. 2. One of E.C Osondu’s short stories appeared in a Farafina collection of short stories. What is the title of the story and what Farafina collection did it appear in?

 

Send your name, address and telephone number along with the answers to the above questions to contests@bellanaija.com. Please make sure the subject of your email is BN BOOK REVIEW COMPETITION. Only successful entrants will be contacted. Winners MUST be able to pick up their prize (or arrange for their prize to be collected on their behalf) from Bella Naija office in Lagos. Employees of BainStone & Bella Naija and Cassava Republic may not apply.

The winner of our last BN Book Review competition is Ruth James  Congratulations! You will be contacted shortly by a member of our Contest team

5 Comments on Felabration! The Third Edition of the BN Book Review Delves deep into the Life of an African Icon
  • Kaka May 31, 2011 at 2:04 pm

    I’ve read the book. I enjoyed it

  • cathy May 31, 2011 at 2:05 pm

    yay!!!!!!!!!111111111

  • Indomie May 31, 2011 at 2:06 pm

    Bellla always does a fab job with these pieces!!

  • dewowo May 31, 2011 at 2:19 pm

    Yes he was able to face the ills of politics, social & economical malfunction, yet i don’t think i will allow my kids watch him live on stage or go near his shrine cos of his personalty (nudity, womanizing, smoking & drinking unlimited). am not saying Fela should not be celebrated o… just me o.

  • Ready June 1, 2011 at 3:43 am

    Ehen BN, lat’aaro. Okay..so, like you, I didn’t know much about Fela’s life until this book. Honestly, a part of me wishes it had remained that way. I appreciate Fela’s service as an ambassador for the plight of Nigerian people; I respect his musical genius; and I admire his generosity which is evident in Kalakuta Republic. But…
    Fela was a misogynist in my opinion…no, it’s not about the 27 wives; it’s about songs like ‘mattress’ and his opinion of what a woman’s role should be. As a Nigerian woman, I’m torn between praising his activism & hating the principles he lived by. I agree that people should live their lives as they please, but even Fela came off as hypocritical. You can’t want freedom for the Black man but argue that all homosexuals should be done away with.
    Lessons I took from the book; Good autobiography; Fela = great musician & iffy role model. Also, stay far far away from that ganja & awon 419 spiritualists.

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